about the artist

Jacob Cartwright

b. 1977 

BFA in Painting - Kansas City Art Institute

Member - American Abstract Artists

Based in New York City


statement

Overall the paintings seek a kind of architecture of the visual.

In the series Prismatic Art Orchestra forms are abutted and nested with a calibrated tension, blocks of pure color interlocking with sections of repeating pattern. Idiosyncrasies in the design are embraced, taking as a guide the way that pattern languages are adapted to fit a particular site, like the way a house can be set into a hillside. A particular kind of painterly space is sought, one where stereometric form is alluded to but never entirely resolved. 

The goal is to create a painting that reads both as a visual mirage and physical embodiment. Ultimately a reductive and diagrammatic efficiency is sought, something like the clarity of a rung bell.

The works in Love without Lovers are non-objective or, as the title suggests, disembodied.

The series takes its title from an un-filmed screenplay found posthumously among Ingmar Bergman’s belongings. These paintings can be viewed like scenes in a black and white movie.

Many Worlds' namesake interpretation of quantum mechanics alludes here to unrealized or lost art.

That spirit runs through all the paintings: the feeling of something familiar yet unknowable, forms searching for a sense of place that we can only experience through vision.

cv

Solo and Two Person Exhibitions
 
2018
Harmonic Canon, Scholes Street Studio, Brooklyn, NY

2016
Project 11, c2c Project Space, San Francisco, CA

2015
Love without Lovers, GRIDSPACE, Brooklyn, NY
 
2013
Many Worlds, Associated Gallery, Brooklyn, NY
 
2010
Hungry Eye, Basil Hallward Gallery, Portland, OR
 
2008
Bestiary, Frances May, Portland, OR
 
2004
New Paintings, The Cube at Beco, Kansas City, MO
 
 
Selected Group Exhibitions

2019

The Idiosyncratic Pencil Resharpened, Elizabeth Stone Harper Gallery, Clinton, SC

2018

The Idiosyncratic Pencil, Elizabeth Stone Harper Gallery, Clinton, SC

Beyond Black and White, Westbeth Gallery, New York, NY

2017

Demand Curve, Proto Gallery, Hoboken, NJ

The Self on the Shelf, curated by Rob de Oude, SPRING/BREAK Art Show, New York, NY

2015

In the Red, Royal Society of American Art, Brooklyn, NY

In the Cloud, Ethan Cohen Fine Arts, New York, NY

Select NYC, Transmitter Gallery at the Select Art Fair, New York, NY

LIC Arts Open, Fine Art in Space, Queens, NY
 
Kaleidoscopic, Royal Society of American Art, Brooklyn, NY
 
New Work City, Momenta Art, Brooklyn, NY
 
2014
The Painting Center at 20, The Painting Center, New York, NY
 
Second Family, 2 Rivington, New York, NY
 
Small Things Considered, Laurence Miller Gallery, New York, NY
 
2013
Salon, The Active Space, Brooklyn, NY
 
Half-Life, 241 Suydam, Brooklyn, NY

 

Curatorial Projects

2019

New York is Now, The Platforms Project, Athens, Greece

2016

Monuments in Reverse, 245 Varet, Brooklyn, NY

2015

Liz Nielsen - Wolf Moon, 245 Laurence Miller Gallery, New York, NY